Mervyn Taylor - wood engraver, painter, illustrator, sculptor and designer - was one of the most celebrated New Zealand artists of the 1930s to 1960s. He was highly connected to modernism and nationalism as it was expressed in New Zealand art and literature of the period. In the 1960s he created twelve murals for major new government and civic buildings erected in that era of great economic prosperity, during which New Zealand first began to loosen its apron-string ties to England.
Tragically, some have been destroyed and others presumed lost - until now. This fascinating book, bursting with archival material, details the detective hunt for the murals and tells the stories of their creation.
They cement Taylor's place as one of New Zealand's most significant artists, and are a celebration of the art and culture of our modernist era.
Bronwyn Holloway-Smith is an investigative artist and researcher based at the Massey University College of Creative Arts in
Wellington. She lives in Island Bay with her civil union partner and their three children. This is her first major book publication.