Product detail

Monet

Monet

Author: Christoph Heinrich
Series: Taschen Basic Art Series
$30.00(NZD)  inc GST
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Description
In his endeavor to capture the ever-changing face of reality, Monet went beyond Impressionism. Claude Monet (1840-1926) was the most typical and the most individual Impressionist painter. In his long life he dedicated to a pictorial exploration of the sensations which reality, and in particular landscape, offers the human eye. But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader. In his endeavor to capture the ever-changing face of reality, Monet went beyond Impressionism and thereby beyond the confines of self-contained panel painting: in Giverny he painted the "Poplars", "Grain Stacks" and "Rouen Cathedral" series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water-lily pond which he was to paint on huge canvases well into the 1920s.
He thereby sought to render not reality as objectively experienced, but rather that which takes place "between the motif and the artist." In their open, merely tenuously representational structure and impressive scale, Monet's water lily paintings-created long before the currents of the contemporary avant-garde-point the way to the developments of the future. Every book in TASCHEN's "Basic Art" series features: a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist; approximately 100 color illustrations with explanatory captions; and, a concise biography.
Author description

Christoph Heinrich studied art history, theater and German in Vienna and Munich, receiving his doctorate for his work on the changing concept of the monument in contemporary art. Since 1994, he has been employed at the Hamburger Kunsthalle, where he was appointed curator of the Galerie der Gegenwart in 1997. He is the author of numerous writings, and has organzied many exhibits on 20th-century and contemporary art.

Stock Information

General Fields

  • : 9783836531344
  • : Taschen GmbH
  • : Taschen GmbH
  • : September 2011
  • : Germany
  • : February 2012
  • : books

Special Fields

  • : Hardback
  • : 759.4
  • : 96
  • : Illustrations
  • : Christoph Heinrich