In a little enclave called the cob house a motley crew of survivors live alongside the green-eyed Crakers, a gentle, inquisitive species bio-engineered to replace humans.
Toby, a member of the now-defunct Gods Gardeners, is still in love with Zeb. The Crakers' reluctant prophet, Snowman (or Jimmy, or SnowmantheJimmy), has been seriously injured, Amanda is still in shock from the Painballer attack and Ivory Bill simply can't take his eyes off the nubile Swift Fox.
As their relationship with the Crakers becomes intertwined they are approached by a natural enemy for help. Will Toby find the inspiration she needs? Will Zeb ever see his brother again? And will they ever be able to make their world stable enough for future generations?
Told with wit, dizzying imagination, dark humour and a breathtaking command of language, Booker-prize-winning Margaret Atwood's unpredictable and chilling Maddaddam takes us into a carefully-crafted dystopian world and holds up a mirror to our future.
The final volume in the extraordinary speculative fiction trilogy - a decade in the making - from one of the greatest writers in the English language today.
Shortlisted for Locus Award for Best Science Fiction Novel 2014.
Moving, but also very funny ... MaddAddam is an extraordinary achievement Independent on Sunday A fierce, learned intelligence ... MaddAddam is a wild ride ... great fun Guardian Atwood has brought the previous two books together in a fitting and joyous conclusion ... Atwood's prose miraculously balances humor, outrage and beauty ... This finale to Atwood's ingenious trilogy lights a fire from the fears of our age, then douses it with hope for the planet's survival New York Times There are few writers able to create a world so fiercely engaging, so funny, so teeming - ironically - with life. MaddAddam is ultimately a paean to the enduring powers of myth and story, and like the sharpest futuristic visions, it's really all about the here and now Daily Mail This final volume deploys its author's trademark cool, omniscient satire, but adds to that a real sense of engagement with a fallen world. Atwood has created something reminiscent of Shakespeare's late comedies; her wit and dark humour combine with a compassionate tenderness towards struggling human beings ... Since almost everything in the world has been broken or has broken down, the novels' form, whirling as brilliantly as the bits of glass in a kaleidoscope, or the pixels in a complex computer game, seems simply to replicate that chaos. However, behind the apparent disorder Atwood the conjuror remains in firm control, juggling her narrative techniques with postmodern glee Independent A haunting, restless triumph ... A writer of virtuoso diversity, with an imagination that responds as keenly to scientific concerns as it does to the literary heritage in which she is steeped ... A dystopia over which Atwood sets swirling a glitterball of different kinds of fiction Sunday Times It may have been a decade in the making, but it has been well worth the wait ... Margaret Atwood not only completes one of the most harrowing visions of a near-future dystopia in recent fiction, but lures us even further into new zones of existential terror The Times
Margaret Atwood is the author of more than forty works, including fiction, poetry and critical essays, and her books have been published in over thirty-five countries. She has won many literary awards and prizes.