Author(s): Edmund de Waal
"264 wood and ivory carvings, none of them larger than a matchbox- potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his great uncle Iggie. Later, when Edmund inherited the netsuke, they unlocked a story far larger than he could ever have imagined The Ephrussis came from Odessa, and at one time were the largest grain exporters in the world; in the 1870s, Charles Ephrussi was part of a wealthy new generation settling in Paris. Charles s passion was collecting; the netsuke, bought when Japanese objects were all the rage in the salons, were sent as a wedding present to his banker cousin in Vienna. Later, three children including a young Ignace would play with the netsuke as history reverberated around them. The Anschluss and Second World War swept the Ephrussis to the brink of oblivion. Almost all that remained of their vast empire was the netsuke collection, dramatically saved by a loyal maid when their huge Viennese palace was occupied. In this stunningly original memoir, Edmund de Waal travels the world to stand in the great buildings his forebears once inhabited. He traces the network of a remarkable family against the
The history of a family through 264 objects - set against a turbulent century - from an acclaimed writer and potter
Galaxy National Book Awards: National Book Tokens New Writer of the Year 2010 and
Costa Biography Book Award 2010 and
Ondaatje Prize 2011
"[A] wonderful book" -- Dame Felicity Lott Waitrose Weekend "From a hard and vast archival mass...Mr de Waal has fashioned, stroke by minuscule stroke, a book as fresh with detail as if it had been written from life, and as full of beauty and whimsy as a netsuke from the hands of a master carver." The Economist "This remarkable book... a meditation on touch, exile, space and the responsibility of inheritance... like the netsuke themselves, this book is impossible to put down. you have in your hands a masterpiece." -- Frances Wilson The Sunday Times "Few writers have ever brought more perception, wonder and dignity to a family story as has Edmund de Waal in a narrative that beguiles from the opening sentence" -- Eileen Battersby Irish Times "Part treasure hunt, part family saga, Edmund de Waal's richly original memoir spans nearly two centuries and covers half the world" Evening Standard
Edmund de Waal's porcelain is shown in many museum collections round the world and he has recently made installations for the V&A and Tate Britain. He was apprenticed as a potter, studied in Japan and read English at Cambridge. He is Professor of Ceramics at the University of Westminster and lives in London with his family.