Mr. Splitfoot is lyrical, echoing, deeply strange, with a quality of sustained hallucination. It is the best book on communicating with the dead since William Lindsay Gresham's Nightmare Alley, but it swaps out that novel's cynicism for a more life-affirming sense of uncertainty Luc Sante, author of Low Life Samantha Hunt is an exciting find - a fresh original voice Sunday Express Hunt's writing is free of affectation and carries surprising conviction the New Yorker Hunt [is] a writer to watch Time Out New York Part road trip, part gothic, Mr. Splitfoot belongs on the shelf beside The Haunting of Hill House and We Have Always Lived in the Castle. Samantha Hunt is astonishing. Her every sentence electrifies. Her characters demand our closest attention. Her new book contains everything that I want in a novel. If I could long-distance mesmerize you, dear reader, into picking up this book and buying it and reading it at once, believe me: I would. Kelly Link I'm speechless. Samantha Hunt's Mr Splitfoot is so good, so inventive, so new, that I don't think I've read anything like it in years. On the surface it's about false spirituality and the most demented road trip across New York State ever attempted, but it's also about the horrible ties that bind us to one another and the small acts of redemption that make life almost okay. Gary Shteyngart Part road trip, part gothic, Mr Splitfoot belongs on the shelf beside The Haunting of Hill House and We Have Always Lived in the Castle. Samantha Hunt is astonishing. Her every sentence electrifies. Her characters demand our closest attention. Her new book contains everything that I want in a novel. If I could long-distance mesmerize you, dear reader, into picking up this book and buying it and reading it at once, believe me: I would. Kelly Link

SAMANTHA HUNT's novel about Nikola Tesla, The Invention of Everything Else, was a finalist for the Orange Prize and winner of the Bard Fiction Prize. Her first novel, The Seas, won the National Book Foundation's Five Under Thirty-Five prize. Hunt's work has been published in The New Yorker, McSweeney's, the New York Times, Tin House, A Public Space, Cabinet, Blind Spot, the London Times and in a number of other fine publications. Her books have been translated into ten languages. She has performed with Jim Jarmusch and Luc Sante at All Tomorrow's Parties, at Los Angeles's Hammer Museum and REDCAT, with the National Theater of the United States of America (NTUSA) at PS122, in the PEN/Faulkner Reading Series, at Seattle's Bumbershoot Festival, and as part of BAM's Next Wave Festival. Her work has been performed on This American Life and on WNYC's Selected Shorts program. She lives in Tivoli, New York, and teaches at the Pratt Institute in Brooklyn.